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	<title>theatre history &#8211; Ruminations</title>
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	<title>theatre history &#8211; Ruminations</title>
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	<item>
		<title>Everybody-Dramaturgy Packet-Danse Macabre</title>
		<link>http://www.nwhellcats.org/blog/2021/01/22/everybody-dramaturgy-packet-danse-macabre/</link>
					<comments>http://www.nwhellcats.org/blog/2021/01/22/everybody-dramaturgy-packet-danse-macabre/#respond</comments>
		
		<dc:creator><![CDATA[Ariana B]]></dc:creator>
		<pubDate>Fri, 22 Jan 2021 20:18:20 +0000</pubDate>
				<category><![CDATA[dramaturg]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[DLPAnotherFineMess]]></category>
		<category><![CDATA[dramaturgy]]></category>
		<category><![CDATA[Everybody]]></category>
		<category><![CDATA[Everyman]]></category>
		<category><![CDATA[theatre history]]></category>
		<guid isPermaLink="false">http://www.nwhellcats.org/blog/?p=577</guid>

					<description><![CDATA[Everybody by Branden Jacobs-Jenkinsdirected by KT Turnerdramaturgy by Ariana Burns (Section of frontispiece from edition of Everyman published by John Skot c. 1530.) Danse Macabre or Dance of Death is a medieval allegory about one’s own mortality that came about during a time when death was very much present. The allegory has been presented through &#8230; <a href="http://www.nwhellcats.org/blog/2021/01/22/everybody-dramaturgy-packet-danse-macabre/" class="more-link">Continue reading<span class="screen-reader-text"> "Everybody-Dramaturgy Packet-Danse Macabre"</span></a>]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Everybody-Dramaturgy Packet-Notes</title>
		<link>http://www.nwhellcats.org/blog/2021/01/22/everybody-dramaturgy-packet-notes/</link>
					<comments>http://www.nwhellcats.org/blog/2021/01/22/everybody-dramaturgy-packet-notes/#respond</comments>
		
		<dc:creator><![CDATA[Ariana B]]></dc:creator>
		<pubDate>Fri, 22 Jan 2021 04:16:53 +0000</pubDate>
				<category><![CDATA[dramaturg]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[DLPAnotherFineMess]]></category>
		<category><![CDATA[dramaturgy]]></category>
		<category><![CDATA[Everybody]]></category>
		<category><![CDATA[Everyman]]></category>
		<category><![CDATA[ruminating]]></category>
		<category><![CDATA[theatre history]]></category>
		<guid isPermaLink="false">http://www.nwhellcats.org/blog/?p=568</guid>

					<description><![CDATA[Everybody by Branden Jacobs-Jenkinsdirected by KT Turnerdramaturgy by Ariana Burns (Section of frontispiece from edition of Everyman published by John Skot c. 1530.) Last night’s rehearsal included the scenes with Friendship and Stuff. Friendship in Everybody is not the ideal looked for in the Middle Ages: one that is a true friendship, enduring and tested &#8230; <a href="http://www.nwhellcats.org/blog/2021/01/22/everybody-dramaturgy-packet-notes/" class="more-link">Continue reading<span class="screen-reader-text"> "Everybody-Dramaturgy Packet-Notes"</span></a>]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Everybody-Dramaturgy Packet-Misc</title>
		<link>http://www.nwhellcats.org/blog/2021/01/20/everybody-dramaturgy-packet-misc/</link>
					<comments>http://www.nwhellcats.org/blog/2021/01/20/everybody-dramaturgy-packet-misc/#respond</comments>
		
		<dc:creator><![CDATA[Ariana B]]></dc:creator>
		<pubDate>Wed, 20 Jan 2021 04:43:08 +0000</pubDate>
				<category><![CDATA[dramaturg]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[DLPAnotherFineMess]]></category>
		<category><![CDATA[dramaturgy]]></category>
		<category><![CDATA[Everybody]]></category>
		<category><![CDATA[Everyman]]></category>
		<category><![CDATA[theatre history]]></category>
		<guid isPermaLink="false">http://www.nwhellcats.org/blog/?p=565</guid>

					<description><![CDATA[Everybody by Branden Jacobs-Jenkinsdirected by KT Turnerdramaturgy by Ariana Burns (Section of frontispiece from edition of Everyman published by John Skot c. 1530.) Five Wits The Five Wits are considered synonymous with the five senses. There were even doctrines that placed the senses in a hierarchical order based on their moral standing. In Sound, Body &#8230; <a href="http://www.nwhellcats.org/blog/2021/01/20/everybody-dramaturgy-packet-misc/" class="more-link">Continue reading<span class="screen-reader-text"> "Everybody-Dramaturgy Packet-Misc"</span></a>]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Everybody-Dramaturgy Packet-Branden Jacobs-Jenkins</title>
		<link>http://www.nwhellcats.org/blog/2021/01/18/everybody-dramaturgy-packet-branden-jacobs-jenkins/</link>
					<comments>http://www.nwhellcats.org/blog/2021/01/18/everybody-dramaturgy-packet-branden-jacobs-jenkins/#respond</comments>
		
		<dc:creator><![CDATA[Ariana B]]></dc:creator>
		<pubDate>Mon, 18 Jan 2021 03:01:14 +0000</pubDate>
				<category><![CDATA[dramaturg]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[DLPAnotherFineMess]]></category>
		<category><![CDATA[dramaturgy]]></category>
		<category><![CDATA[Everybody]]></category>
		<category><![CDATA[Everyman]]></category>
		<category><![CDATA[theatre history]]></category>
		<guid isPermaLink="false">http://www.nwhellcats.org/blog/?p=557</guid>

					<description><![CDATA[Everybody&#160;by Branden Jacobs-Jenkinsdirected by KT Turnerdramaturgy by Ariana Burns (Section of frontispiece from edition of&#160;Everyman&#160;published by John Skot c. 1530.) Amongst his many awards, Branden Jacobs-Jenkins has received the Paula Vogel Award 2011, the Steinberg Playwriting Award 2015, MacArthur Fellow 2016, Windham-Campbell Literature Prize (Drama) at Yale 2016, Critics’ Circle Theatre Award Most Promising Playwright &#8230; <a href="http://www.nwhellcats.org/blog/2021/01/18/everybody-dramaturgy-packet-branden-jacobs-jenkins/" class="more-link">Continue reading<span class="screen-reader-text"> "Everybody-Dramaturgy Packet-Branden Jacobs-Jenkins"</span></a>]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Everybody-Dramaturgy Packet-Everyman</title>
		<link>http://www.nwhellcats.org/blog/2021/01/12/everybody-dramaturgy-packet-everyman/</link>
					<comments>http://www.nwhellcats.org/blog/2021/01/12/everybody-dramaturgy-packet-everyman/#respond</comments>
		
		<dc:creator><![CDATA[Ariana B]]></dc:creator>
		<pubDate>Tue, 12 Jan 2021 15:32:04 +0000</pubDate>
				<category><![CDATA[dramaturg]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[DLPAnotherFineMess]]></category>
		<category><![CDATA[dramaturgy]]></category>
		<category><![CDATA[Everybody]]></category>
		<category><![CDATA[Everyman]]></category>
		<category><![CDATA[theatre history]]></category>
		<guid isPermaLink="false">http://www.nwhellcats.org/blog/?p=550</guid>

					<description><![CDATA[Everybody&#160;by Branden Jacobs-Jenkinsdirected by KT Turnerdramaturgy by Ariana Burns (Section of frontispiece from edition of&#160;Everyman&#160;published by John Skot c. 1530.) Very little is known about the morality Everyman. It is a translation and adaptation of the Dutch Elckerlijc but there is no surviving record of its production history until modern day; when or where it &#8230; <a href="http://www.nwhellcats.org/blog/2021/01/12/everybody-dramaturgy-packet-everyman/" class="more-link">Continue reading<span class="screen-reader-text"> "Everybody-Dramaturgy Packet-Everyman"</span></a>]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Everybody-Dramaturgy Packet-Morality Plays-Pt 2</title>
		<link>http://www.nwhellcats.org/blog/2021/01/10/everybody-dramaturgy-packet-morality-plays-pt-2/</link>
					<comments>http://www.nwhellcats.org/blog/2021/01/10/everybody-dramaturgy-packet-morality-plays-pt-2/#respond</comments>
		
		<dc:creator><![CDATA[Ariana B]]></dc:creator>
		<pubDate>Sun, 10 Jan 2021 20:26:50 +0000</pubDate>
				<category><![CDATA[dramaturg]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[DLPAnotherFineMess]]></category>
		<category><![CDATA[dramaturgy]]></category>
		<category><![CDATA[Everybody]]></category>
		<category><![CDATA[Everyman]]></category>
		<category><![CDATA[theatre history]]></category>
		<guid isPermaLink="false">http://www.nwhellcats.org/blog/?p=545</guid>

					<description><![CDATA[Everybody&#160;by Branden Jacobs-Jenkinsdirected by KT Turnerdramaturgy by Ariana Burns (Section of frontispiece from edition of&#160;Everyman&#160;published by John Skot c. 1530.) Limited materials have survived to tell us about morality plays of this period. Here is Dorothy Wertz’s description of the extant materials: What survives is (1) texts, sometimes in several versions of varying corruption; (2) &#8230; <a href="http://www.nwhellcats.org/blog/2021/01/10/everybody-dramaturgy-packet-morality-plays-pt-2/" class="more-link">Continue reading<span class="screen-reader-text"> "Everybody-Dramaturgy Packet-Morality Plays-Pt 2"</span></a>]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Everybody-Dramaturgy Packet-Morality Plays</title>
		<link>http://www.nwhellcats.org/blog/2021/01/10/everybody-dramaturgy-packet-morality-plays/</link>
					<comments>http://www.nwhellcats.org/blog/2021/01/10/everybody-dramaturgy-packet-morality-plays/#respond</comments>
		
		<dc:creator><![CDATA[Ariana B]]></dc:creator>
		<pubDate>Sun, 10 Jan 2021 01:51:30 +0000</pubDate>
				<category><![CDATA[dramaturg]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[DLPAnotherFineMess]]></category>
		<category><![CDATA[dramaturgy]]></category>
		<category><![CDATA[Everybody]]></category>
		<category><![CDATA[Everyman]]></category>
		<category><![CDATA[theatre history]]></category>
		<guid isPermaLink="false">http://www.nwhellcats.org/blog/?p=538</guid>

					<description><![CDATA[Everybody&#160;by Branden Jacobs-Jenkinsdirected by KT Turnerdramaturgy by Ariana Burns (Section of frontispiece from edition of&#160;Everyman&#160;published by John Skot c. 1530.) The sixteenth century morality plays were staged at a time when mortality outpaced the birth rate due largely to war, famine, and disease. Clifford Davidson wrote that cities maintained population size with an influx of &#8230; <a href="http://www.nwhellcats.org/blog/2021/01/10/everybody-dramaturgy-packet-morality-plays/" class="more-link">Continue reading<span class="screen-reader-text"> "Everybody-Dramaturgy Packet-Morality Plays"</span></a>]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Everybody-Dramaturgy Packet-Audience</title>
		<link>http://www.nwhellcats.org/blog/2021/01/08/everybody-dramaturgy-packet-2/</link>
					<comments>http://www.nwhellcats.org/blog/2021/01/08/everybody-dramaturgy-packet-2/#respond</comments>
		
		<dc:creator><![CDATA[Ariana B]]></dc:creator>
		<pubDate>Fri, 08 Jan 2021 15:41:44 +0000</pubDate>
				<category><![CDATA[dramaturg]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[DLPAnotherFineMess]]></category>
		<category><![CDATA[dramaturgy]]></category>
		<category><![CDATA[Everybody]]></category>
		<category><![CDATA[Everyman]]></category>
		<category><![CDATA[theatre history]]></category>
		<guid isPermaLink="false">http://www.nwhellcats.org/blog/?p=524</guid>

					<description><![CDATA[Everybody&#160;by Branden Jacobs-Jenkinsdirected by KT Turnerdramaturgy by Ariana Burns (Section of frontispiece from edition of&#160;Everyman&#160;published by John Skot c. 1530.) Clare Wright’s thesis, Sound, Body and Space: Audience Experience in Late Medieval English Drama, got me thinking about the medieval audiences in the High Middle Ages. There isn’t a lot of information on attendees of &#8230; <a href="http://www.nwhellcats.org/blog/2021/01/08/everybody-dramaturgy-packet-2/" class="more-link">Continue reading<span class="screen-reader-text"> "Everybody-Dramaturgy Packet-Audience"</span></a>]]></description>
		
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			</item>
		<item>
		<title>Everybody-Dramaturgy Packet</title>
		<link>http://www.nwhellcats.org/blog/2021/01/06/everybody-dramaturgy-packet/</link>
					<comments>http://www.nwhellcats.org/blog/2021/01/06/everybody-dramaturgy-packet/#respond</comments>
		
		<dc:creator><![CDATA[Ariana B]]></dc:creator>
		<pubDate>Wed, 06 Jan 2021 04:05:30 +0000</pubDate>
				<category><![CDATA[dramaturg]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[DLPAnotherFineMess]]></category>
		<category><![CDATA[dramaturgy]]></category>
		<category><![CDATA[Everybody]]></category>
		<category><![CDATA[Everyman]]></category>
		<category><![CDATA[theatre history]]></category>
		<guid isPermaLink="false">http://www.nwhellcats.org/blog/?p=506</guid>

					<description><![CDATA[Everybody&#160;by Branden Jacobs-Jenkinsdirected by KT Turnerdramaturgy by Ariana Burns (Section of frontispiece from edition of Everyman published by John Skot c. 1530.) My current dramaturgy project is Everybody&#160;by Branden Jacobs-Jenkins, directed by KT Turner, Everybody is an adaptation of The Summoning of Everyman a late 15th-century morality&#160;play. Everyman is a product of the Middle Ages, &#8230; <a href="http://www.nwhellcats.org/blog/2021/01/06/everybody-dramaturgy-packet/" class="more-link">Continue reading<span class="screen-reader-text"> "Everybody-Dramaturgy Packet"</span></a>]]></description>
		
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		<title>Connections</title>
		<link>http://www.nwhellcats.org/blog/2019/10/13/connections/</link>
					<comments>http://www.nwhellcats.org/blog/2019/10/13/connections/#respond</comments>
		
		<dc:creator><![CDATA[Ariana B]]></dc:creator>
		<pubDate>Sun, 13 Oct 2019 01:31:57 +0000</pubDate>
				<category><![CDATA[dramaturg]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[DLPAnotherFineMess]]></category>
		<category><![CDATA[dramaturgy]]></category>
		<category><![CDATA[livingthedream]]></category>
		<category><![CDATA[theatre history]]></category>
		<category><![CDATA[This Random World]]></category>
		<guid isPermaLink="false">http://www.nwhellcats.org/blog/?p=216</guid>

					<description><![CDATA[A Rumination from my dramaturgy of Steven Dietz’s This Random World directed by David Lee-Painter (DLP). While the company was hard at work, I had to leave for two weeks. And waiting in the Phoenix airport to return home some connections occured to me&#8230; The University of Idaho is fortunate to have a unique and &#8230; <a href="http://www.nwhellcats.org/blog/2019/10/13/connections/" class="more-link">Continue reading<span class="screen-reader-text"> "Connections"</span></a>]]></description>
		
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